What is the difference between story and plot? What is the difference between plot summary and plot interpretation? How do you analyze the relationship between the main plot and a subplot? What are the purposes of literary elements and literary techniques? What are the writer’s literary devices and reader’s literary devices? How do you recognize and appreciate ways in which writer use language, structure and style to achieve his intended effects on the reader? How do you shift from mere appreciation of a literary text to critical literary appreciation? How do you engage in literary analysis & what is the purpose? What is the difference between topic and theme and how do you arrive at the theme? How do you compare the theme and the moral message? How do you develop an interpretation of a work of literature (drama, poetry and prose) and what is the purpose? How do you present critical appreciations or your individual responses to literary texts composed in different forms and in different periods and cultures? How do you know your individual response is valid? What are the differences between Critical Literary Appreciation, Literary Criticism, and Literary Theory? Why should there be a Literary theory at all?
Teaching & Learning Literature REQUIREMENTS, APPRECIATIONS AND EXPERIENCES by bunpeiris Stories tell us how to live. Literature being all about us, the human race; being trained upon of the tragicomedy of the lonely race with intelligent aliens yet to be found for company; being homed in on the march of folly throughout their millenniums of history; being bullseyed on the human condition, to introduce this man-made treasure […]
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TUITION IN ENGLISH LITERATURE WITH bunpeiris Cambridge, National, Edexcel – OL & AL “Literature is the question minus the answer”, French literary theorist, philosopher, linguist, critic, and semiotician Roland Barthes. [See, you are free to come up with your own answers. nihil timendum est: fear nothing] “Teachers should aim to develop readers, not literary critics” R. E. Probast in the […]
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